19 November 2023

Wednesday 15 November 2023: La Chouffe: a Belgian beer

 

Wednesday 15 November 2023

La Chouffe: a Belgian beer

Yesterday evening, I drank for the first time a bottled Belgian beer called La Chouffe, blonde.

“Chouffe starts off with some citrus notes, followed by a refreshing touch, pleasantly spiced to give it great brightness. This golden beer, with its light taste of hops, was the very first to come out of the Achouffe brewery’s vats 40 years ago.”

It does, indeed, have a pleasant flavour, spiced as it is with coriander seeds. Initially, I considered it a little too hoppy for my palate, but it grew on me, in direct proportion to the amount of it that I drank. (Often, with a beer new to me, I enjoy it at first, but enjoy it progressively less the more I drink.) La Chouffe is 8% alcohol, which, although strong by British beer standards, is a strength that I like. It just about has the body in terms of flavour to accompany its alcoholic strength. I prefer a beer to be a little more malty. It is sold (in Tesco, and I believe in several other UK supermarkets) in dumpy, 330 ml brown bottles (like Duvel and Chimay).

The brewery’s website describes several other brews apart from the blonde. There are

·         an alcohol-free beer, which I shall give a miss

·         an extra-hopped beer, that I shall also decline

·         a cherry-flavoured beer (albeit neither a lambic nor technically a kriek), might be interesting to try

·         a brown beer (McChouffe), the description of which sounds like a beer I should very much like to try, and likely to be to my taste.

All the beers from this brewery appear to be suitable for vegans.

The brewery lies in the rural Belgian village of Achouffe, about ten miles to the west of the northern tip of Luxemburg. From a glance at a map, it looks like the area could be good walking country.

06 November 2023

Monday 6 November 2023: Swapping Books for Audiobooks

Swapping Books for Audiobooks has Reignited my Love of Literature, by Verity Babbs

The Guardian, Monday 6 November 2023

https://www.theguardian.com/commentisfree/2023/nov/06/swapping-books-for-audiobooks-literature

Below the Line comment:

I have little money, which rules out audible book subscription services. However, I have discovered both that Project Gutenberg has audio-recorded material, and in particular Librivox has a wealth of material, all free. As a result, I have discovered that a good voice-actor can greatly enhance my experience of a book. Recently, I have been enjoying reading (the book) Nicholas Nickleby (I am about half-way through). I downloaded the Librivox version read by Mil Nicholson, started again at the beginning of the story, and found that her voice-skills brought out so much more of the story than my silent reading. I love reading Dickens especially because I enjoy his literary language, and so both media are important to me. I have a copy of Bleak House to read next, but I shall probably listen to an audio recording first, not least to bring the characters into colour for me, and then enjoy reading the book. One disadvantage of the audio version is that I love to check out Dicken's wonderful vocabulary, which is easy if the word is on the page in front of me, but tricky when I am out walking the lanes of the North Downs while listening to a description of the Marshalsea Prison (Little Dorrit). By the by, as well as the book and the audio recording, I like to use an online text version to enable me easily to search the text. For instance, if I remember correctly, Dickens used the word deprecated only once in Little Dorrit, but used the word depreciated several times. That additional 'i' in the spelling difference between the two words, nearly invisible to my aging eyes, changes the meaning of the sentences in which Dickens used them. (It is also significant, I think, that in a narrative focused so much on the effects of money on individuals and society, Dickens should use the word (and meaning) 'depreciated' when today the word (thought and meaning) 'deprecated' would be more likely.)

Maybe a little controversial to say, but I have found the audio versions of classics such as The Odyssey, Gulliver's Travels and Barry Lyndon, very, very much easier to listen to than to read, because the constant (inexorable) progress of the narration drives me through the dry passages at which I would have stumbled had I been reading rather than listening.